Best-known for their ubiquitous hit "The Distance," Cake epitomized the postmodern, irony-drenched aesthetic of ‘90s geek rock. Their sound freely mixed and matched pastiches of widely varying genres -- white-boy funk, hip-hop, country, new wave pop, jazz, college rock, and guitar rock -- with a particular delight in the clashes that resulted. Their songs were filled with lyrical non-sequiturs, pop culture references, and smirky satire, all delivered with bone-dry detachment by speak/singing frontman John McCrea. Cake's music most frequently earned comparisons to Soul Coughing and King Missile, but lacked the downtown New York artiness of those two predecessors; instead, Cake cultivated an image of average guys with no illusions and pretensions about their role as entertainers. At the same time, critics lambasted what they saw as a smugly superior attitude behind the band's habitual sarcasm. Perhaps there was something in Cake's doggedly spare, low-key presentation that amplified their ironic detachment even when they didn't intend it, but most reviewers pegged them as one-hit wonders after the success of "The Distance." Nonetheless, Cake managed a few more alternative radio hits in the years that followed, while largely retaining the same approach.