As much a collective of musicians as a band, Sebadoh was the quintessential lo-fi band of the '90s. Formed by singer/songwriter Lou Barlow while he was the bassist for Dinosaur Jr. in the late '80s, Sebadoh's music was a virtual catalog of '80s alternative rock and '90s indie rock, featuring everything from jangle pop to noise rock experimentalism. Upon being kicked out of Dinosaur in 1989, Barlow turned his attention toward Sebadoh, a home-recording project that he and drummer/songwriter Eric Gaffney began in 1987. Sebadoh soon developed into a backing band for both Barlow and Gaffney, as each submitted home-recorded tapes for release and toured behind the albums. Eventually adding drummer/songwriter Jason Loewenstein, the trio became an indie rock sensation, as well-known for the size and inconsistency of its output as the music itself. Often, Sebadoh sounded schizophrenic, flipping between Barlow's sensitive folk-rock and Gaffney's noise experiments without warning. This very diversity became the band's calling card, and by 1992 the band had earned a devoted following. As the media focused on Barlow -- who also released a number of solo records under the name Sentridoh -- Gaffney grew frustrated. Gaffney left in 1994, and with new drummer Bob Fay, Sebadoh produced its most accessible albums -- Bakesale and Harmacy -- which expanded its cult somewhat. Despite the group's flirtation with (relatively) polished production and the fluke success of Barlow's side project Folk Implosion, Sebadoh remained a cult band and became one the largest touchstones of '90s indie rock.